中国当代“口语诗”的音乐性问题探视

A Probe into the Musicality of Contemporary China's Oral Poems

不论从艺术起源,还是从诗歌的内在特质及读者接受等方面看,音乐特性始终是诗歌构成的重要元素之一。然而,在中国当代诗歌尤其是口语诗中,音乐属性已经被破坏得体无完肤。口语诗中音乐性的"失却"使得当代诗歌创作已陷入空前的艺术困境。重新认识和探讨口语诗的音乐性问题,可以从诗歌的语言选择、音乐意境及诗歌的节奏、韵律等方面入手,以复原和提高诗歌本身的审美属性。

Seen from art origin, or intrinsic poetic attribute, or readers＇ acceptance, musicality has been one of essential elements making up poetry. However, in contemporary Chinese poetry, especially the oral po- ems, this property has been totally destroyed. The lack of the musicality in the oral poems leads to an unprec- edented artistic dilemma of contemporary poetic writing. This problem can be recognized and discussed from such aspects as language choice, musical imagery and poetic rhythms. In this way, it is likely that the aesthetic property of poetry can be restored and improved.