摘要
在古希腊文艺观里,对艺术作品中的"真实性"的探讨贯彻的是"模仿说"文艺理论。从德谟克利特到柏拉图再到亚里士多德,对文艺作品中"真实"的追问一直以来影响着文艺作品的创作。电视剧《人民的名义》是一部成功的文艺作品,其受到热捧的背后,正是人们对于文艺作品中"真实性"的拷问与追寻,其所映射出的"真实性",无论从理论侧面还是现实生活中,都给人以教化与警示的作用。
In ancient Greek literary views,the facticity in art works had been one of the main questions discussed by Imitation Theory. From Leucippus to Plato,and to Aristotle,the pursuit and the discussion of the facticity in literary works have been influencing the literary creation. In terms of the popularity,the television drama In the Name of the People is a successful literary masterpiece,but what behind its prevalence goes to people's pursuit of the facticity in it. The facticity reflected plays educational and warning roles to people either in theoretical side or real life.
出处
《长春大学学报》
2018年第1期64-69,共6页
Journal of Changchun University