论博物馆的现代美学意义——以云南博物馆为例

On The Modern Aesthetics Meaning of Museums

对博物馆的关注已经成为当下学术研究中一个非常重要的文化事件。有关博物馆问题的研究内容和研究方法也已从早期主要停留在经验描述层面上对实践技术的讨论,转变为对博物馆的社会角色关注,尤其是对博物馆藏品如何发挥其价值等问题的重视。但在中国,对博物馆问题的研究大部分只是流于博物馆藏品的科学研究,注重对博物馆的技术实践研究,而关于博物馆对于人类以及社会的关系和意义,如何通过展览的方式对公众进行表达和交流,甚至意识形态规训和形塑方面的探究成果较少。以云南博物馆为例,运用西方马克思主义美学和人类学中的各种理论,以分析和揭示博物馆文化更为深层的社会意义和美学意义。

The focus on museums has become a very important cultural event. The contents and methods have still been changed from mainly discussing on the practical technology in early, into the society role of museums, especially paying attention to the museum collections such problems as how to exert its value. In China, the research of museum most suborned on collection of scientific research pays attention to the technology practice research of museum, but the exploration on museum for relation and significance of human and society, on how to express and communicate with the public by means of the exhibition, even about ideological discipline and shape, is very little. Taking the museum in Yunnan as an example, with the theories of Western Marxist Aesthetics and Anthropology, this paper analyzes and reveals the deeper social significance and aesthetic significance of museum culture.