审美场域与审美认同双向建构——以广西金秀瑶族博物馆为例

The Two-Way Construction of Aesthetic Field and Aesthetic Identification——Take Guangxi Jinxiu Yao Nationality Museum as an Example

作为审美场域之一,金秀瑶族博物馆以其所展示的朴素的黄泥鼓舞、精美的瑶族服饰、优美的大瑶山自然生态等瑶族文化符号营造了美的艺术、美的文化、美的生态,表征了审美场域与审美认同的互动关系:审美场域建构审美认同,审美认同也建构审美场域;审美认同与审美场域双向建构,互为审视。

As one of the aesthetic fields, Jinxiu Yao Nationality Museum builds beautiful art, beautiful culture and beautiful ecology,using Yao nationality culture symbol——simple Yellow Mud Drum, elegant dress and beautiful natural ecology of huge Yao mountain. It also shows the interactive relationship between aesthetic field and aesthetic identity: aesthetic field constructs aesthetic identity; aesthetic identity also constructs aesthetic field; aesthetic identification and aesthetic field construct and gaze at each other.