摘要
传统造物的“物尽其用”思想,不仅体现了中国陶瓷文明史演进的造物宗旨,更折射了传统陶瓷设计的器用之道,也理应是现代陶瓷设计之造物美学观。主要围绕“物尽其用”思想来探析现代陶瓷设计的“器以利用”功能美学,从“器用与生活”的陶瓷设计角度,针对设计的器用之道、器用之美、器用之意、器悦之趣四方面,阐述现代陶瓷设计的“物尽其用”造物方式与表现形式。
Traditional idea of make the best use of everything is not only reflected the purpose of creation on the evolution of Chinese ceramics civilization but also reflected a physical use principle on the traditional ceramic design, also is supposed to be the creation aesthetic view of modern ceramic design. The article mainly focuses on idea of make the best use of everything and analysis the function and aesthetic value in modem ceramic design.From the "instrument and life" perspective of ceramic design, the creative way and expression form depend on the idea of make the best use of everything was described including the way of physical use, the beauty of physical use, the meaning of physical use and the pleasant of physical use.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2018年第1期75-79,共5页
China Ceramics
基金
江西省2015年度社会科学规划项目(2015YS330)
关键词
物尽其用
造物思想
陶瓷设计
Make the best use of everything
Material making thought
Ceramic design