“现代性”的化身:李欧梵的现代文学研究概貌

Incarnation of Modernity: Leo Ou-fan LEE's Study of Modern Literature

李欧梵对中国现代文学的研究有着深远影响,他的论著对国内批评界在思维转变、视野拓展、理论创新等方面有着重要启示,但是国内研究界还是侧重于对其"现代性"理论的探寻和具体著作的评论。其实,其研究方式的不断拓展本身就展现出一种学术经验不断突破的"现代性"。从这个意义上说,李欧梵的学术研究历程也是"现代性"的化身之一。本文通过梳理李欧梵研究"文史结合"、"都市叙事"、"视觉维度"和"回归古典"的几个重要转向,力图对其"边缘人"身份带来的"多元视角"作准确描述,由此探求海外视野与中国经验如何对接的问题。

The influence of Leo Qu-fan LEE＇s study of modern Chinese literature is far-reaching. His research works has an important enlightenment on domestic criticism in terms of thinking transformation, expansion of vision and theoretical innovation, and so on. The domestic research, however, only focuses on the theory of ＂Modernity＂ to explore the specific comments and writings. In fact, a constant expansion of research method itself shows a breakthrough of academic experience in the concept of ＂Modernity＂. In this sense, one of the incarnations of Leo＇s academic research is also the process of ＂modernity＂. This paper, through the research into several important turns of Leo＇s ＂combination of history and literature＂, ＂metropolis narration＂, ＂visual dimension＂ and ＂returning to the classics＂, attempts to depict exactly the ＂multiperspective＂ brought by the identity of ＂marginal man＂ so as to explore the issues of how to connect the overseas vision to the Chinese experience.