论《九歌》文学与图像的关系

On the Study of the Relationship between Jiu Ge's Literature and Images

《九歌》文本语象丰富的视、听、味、嗅觉元素,触发了读者的感官联想,使诗歌呈现出极强的画面感,激发了历代画家的创作热情。《九歌》图像按其所绘内容可分为有景界、无景界、摘取情节和"二湘"图像四种类型。不同类型的图像与文本的契合度各不相同,但都忠实地反映了画家对《九歌》的接受与感悟,是一种独立存在的艺术形式。画家在创作《九歌》图像时,既参照了历代楚辞评注,也于图像中表达了自己的观点。评注与图像相互影响,共同推动了《九歌》的传播与研究。

The abundant verbal images of Jiu Ge＇s text,which including visual sense,auditory sense,taste sense and smell sense,touched off the reader＇s sensory association. These elements maked the poem a very strong sense of picture and inspired the ancient painters to make Jiu Ge＇s images. According to the content,there were four types of Jiu Ge＇s images： with scenery,without scenery,plot selection and ＂two xiang＂images. Different images had different fits with the poem text,but all of them expressed the painters＇ understanding and self feeling. Jiu Ge＇s image was a independent form of art. When painters created the images,they consulted the past dynasties＇ discussions of Jiu Ge. Besides this,they also expressed their own opinions about the poem in the images. The commentary and annotation,together with the image,pushed the transmission and study of Jiu Ge.