玄学浸润与萧纲赋的语用自然

Metaphysical Pragmatic Nature of Xiao Gang's Fu

萧纲习玄好虚,注疏《庄》《老》,升座讲坛,结交玄流。文学主张有玄学之气,"文章且须放荡"摒弃了儒礼的束缚,推崇庄老自然闲适,辞赋创作"寓目写心,因事而作"。批判京师体"懦钝""浮疏""阐缓",认为辞赋创制不同于商周典则,不能以儒家经史之法创作文学,而应回归诗骚比兴传统。以赋体问对形式讨论玄学言意哲理,并落实到语法成分阙略并韵随意转的语用自然层面。

Xiao Gang studied and imparted metaphysics. There was metaphysical smell in his literary idea.In Fu creation, he praised highly the natural and free style of the Taoism and abandoned the constraint of theConfucian rites. He criticized the weakness, dullness, superficiality of the Capital School Style. He thought thatthe creation of Fu was different from the rules of the Shang and Zhou dynasties and could not follow the way ofwriting Confucianism classics. He advocated that the Fu creation should return to the Bi and Xing tradition of theBook of Songs and Qu Sao. In his works, he discussed metaphysical philosophy ina way of question and answer.His works also showed a natural style by omitting some grammatical components and changing the rhyme by themeaning.