电影《我不是潘金莲》的女性主义再审视

Reexamination of Feminism in the Film "I am not Madame Bovary"

冯小刚执导的电影《我不是潘金莲》因其在影像语言上对圆形构图的独特运用和入木三分、极具讽刺意味的主题备受关注,更有评价认为该片是对弱势女性争取自我权力的主体意识的张扬。从女性主义的角度,对该片在主题立意、人物设定以及情节叙事等方面进行深刻剖析,将澄清该片所呈现出的男性叙事话语的立场。在既定的性别偏见和男权语境之下,李雪莲最终成为一个失却自身主体意识的悲剧性人物。

Feng Xiaogang＇s film I am not madame Bovary has drawn much atention because of its unique use of the circular composi-tion and the ironic profound theme. Some hold the viewthat the film is of subject consciousness of the rights of the disadvantaged women to fight for themselves. This paper attempts to examine the theme, the character set and plot narrative of the film from feminist perspective, so as to demonstrate the position of male narrative discourse presented in this film. Under the gender prejudice and the patriarchal context, Li Xuel ian finally becomes a tragic figure who loses subjective consciousness of her own.