中国传统建筑与书法艺术的审美共通性再探

Re-exploring the Aesthetic Generality Between Chinese Traditional Architecture and Calligraphy

中国传统建筑与书法艺术的审美共通性,是艺术审美共通性中的重要内容之一。以主体审美能力的审美共通性作为感性的情感观照展开,审美主体在整个审美活动中起着积极的主导作用。主体通过生理、心理和社会文化三个层面的审美历时性过程获得审美感知,升华为"因势象形"的意趣、"气韵生动"的意味和"澄怀观道"的意境三个审美维度。通过分析探讨,有助于加深对建筑艺术与书法艺术的审美共通性的理解。

The aesthetic generality between Chinese traditional architecture and calligraphy is one of theessential topics in the aesthetic interrelationship of arts. Starting with the commonality of the subjectsaesthetic abilities as the sensual emotional attention,the paper points out that aesthetic subject of botharchitectural art and calligraphy plays an active leading role in the whole aesthetic activity. He or sheobtains aesthetic perception by experiencing the three dimensional aesthetic diachronic process ofphysiological phase,psychological phase and sociocultural phase,and to a new height sublimation of thethree logical dimensions of the aesthetic psychology;that is,the interest and taste of “ Yin Shi XiangXing” ,the significance of “ Qi Yun Sheng Dong”and the artistic conception of “ Cheng Huai GuanDao” .