岭南建筑创作整体观的解读与表现

Interpretation and Expression of Lingnan Architecture in the Perspective of Architectural Holistic View

中西方传统建筑思想都具有整体意识,现代主义建筑运动后人们对设计中的整体思想有了进一步认识,即建筑创作必须以整体观念应对自然环境、人文环境、历史环境和更复杂的技术条件下的诸多问题。以"两观三性"为指导的岭南建筑创作中,"整体观"占有核心地位。整体观要求全面把握设计对象,把握设计因素的矛盾运动及其作用机制,抓住建筑创作中的主要矛盾,并以整体设计方法应对创作问题,从而实现技术理性与艺术感性的紧密结合。早期岭南建筑和当代岭南建筑创作的范例,生动地诠释了岭南建筑创作中的整体观和整体设计。

There have been whole thoughts and overall consciousness in both Chinese and Westernarchitectural creation. New insights of whole thoughts in architectural design were being made after theModernism Architecture Movement. Architectural creation must use whole thoughts to deal with itsrelationship with natural environment,humane environment,historical environment,and more complextechnical problems. The architectural holistic view in Lingnan architectural creation,based on “ TwoViews and Three Features”theory,requires a comprehensive grasp of the design object,the contradictionof design factors and its mechanism of action;an accurate grasp of the main contradiction in architecturecreation;and the overall design methods to deal with problems of creation,so as to realize thecombination of technological reason with perceptual art. Based on the creation examples of early andcontemporary Lingnan architecture,the expression of architectural holistic view and integral design inLingnan architecture is analyzed.