勋伯格《钢琴组曲》op.25三声中部分析

Analysis on the Trio of Schoenberg's "Piano Suite" OP.25

文章通过对勋伯格早期的十二音作品第25《钢琴组曲》的三声中部的分析,了解十二音作曲的基本手法以及与传统作曲手法的综合,达到对20世纪上半期的十二音序列作品的基本了解,并初步学习这种作曲手法,以及勋伯格在十二音序列音乐的早期创作的风格和特点。

By analyzing the trio of "piano suite" op.25 from Schoenberg's early twelve-tone works,the writer tries to understand the basic technique of twelve-tone composition and its combination with traditional composing technique,comprehend twelve-tone sequential works in the first half of the 20 th century,and grasp Schonberg's music style and features in his early creation.