摘要
随着社会城市化发展、市场自由化竞争、大众旅游的兴起以及社会文化多元发展的影响,西南少数民族地区的民族民俗博物馆也逐渐由收藏、研究、教育,发展为交往、传播和审美文化形态的博物馆。西南少数民族地区的民族博物馆以审美化的展览方式,深刻阐释了藏品及其文化事项在民族身份或民族形象建构中的意义和重要性,并将展示和教育活动作为文化认同与传播的桥梁与纽带。作为一个文化多样性和审美多样性的文化载体,所展示的各种民族文化事项在当下语境中不但没有消失殆尽,而是继续延传着旺盛的生命力,在现代语境下建构着族群的民族形象。
The museum of the Southwest Minority Museum has profoundly explained the significance and importance of the collection and its cultural matters in the construction of national identity or national image, and the exhibition and educational activities as a bridge and link between cuhural id^ntity and communication. With the development of social urbanization, the liberalization of market liberalization, the rise of mass tourism and the diversified development of social culture, the Southwest Minority Museum has gradually been collected from the collection, research, education and development for the museum of communication, communication and aesthetic culture. As a cultural carrier of cultural diversity and aesthetic diversity, the various cultural and cultural events exhibited in the present context not only failed to disappear, but continued to spread the vitality of life, in the modern context of the construction of the Ethnic image of ethnic groups.
作者
肖丽娅
XIAO Li-ya(Southwest University College of Literature, Chongqing 400715, China;Guizhou University for Nationalities, Guiyang Guizhou 550025, China)
出处
《贵州民族研究》
CSSCI
北大核心
2017年第12期70-75,共6页
Guizhou Ethnic Studies
基金
2015年度国家社会科学基金重点项目"语言学转向与视觉方法论研究"(编号:15AZW003)的阶段性成果
关键词
西南少数民族博物馆
展示设计
民族形象
审美建构
Southwest Minority Museum, Aesthetic display, National image, The aesthetic construction.