摘要
托马斯·贝恩哈德的小说塑造了不同于传统身份建构和道德标准的男性形象。小说主人公敏感、荒唐、扭曲、疯狂、病态甚至变态,这在《寒冻》《精神错乱》《石灰窑》和《修正》四部最具代表性的作品中表现尤为突出。贝恩哈德以男性歇斯底里现象为介质,展现人物形象的精神际遇和心理疾病,试图披露工业社会文明压抑下的男性危机、身份困惑,揭示男性歇斯底里这一现象所蕴含的深刻社会根源与历史隐喻。对于男性歇斯底里的研究可以改变当今学界性别研究的不均衡状况,颠覆歇斯底里是女性专属代名词的话语霸权。关注后现代社会中传统男性形象的解构过程,把他们从限定的形象中解放出来,对于进一步理解文学作品的审美形式和主旨内涵具有重要意义。
Thomas Bernhard shaped the male images which are different from traditional identity construction and ethical standards in his novels.The characters in Bernhard's novel are sensitive absurd distorted crazy pathological and even abnormal and all these can be found in his representative works of Frost Verst?rung Kalkwerk and Korrektur.Taking the phenomenon of male hysteria as the medium Bemhard reveals the spiritual and mental illnesses of the characters and tries to disclose the masculinity crisis under the repression of industrial civilization status bewilderment social root and historical metaphor of male hysteria.The study of male hysteria can change the imbalance of gender research in today's academic circles and subvert the discourse hegemony that hysteria is female exclusive.It is of great significance to furtherly understand the aesthetic forms and the themes of the literal works by focusing on the deconstruction of traditional male images and liberate them in the post-modern society.
出处
《沈阳师范大学学报（社会科学版）》
2018年第1期82-86,共5页
Journal of Shenyang Normal University(Social Science Edition)
关键词
父权社会
后现代社会
男性
生存困境
歇斯底里
patriarchal society
post-modern society
male
living dilemma
hysteria
