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懒赋一曲语意多——论晚清广西词人王拯咏物词的情感寄托

The Ci-poetry “Lanfu” Means a Lot——On the Emotional Sustenance of the Ci-poetry by Poet Wang Zheng in Guangxi in Late Qing Dynasty
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摘要 王拯是晚清广西著名的文学家,擅长诗文词。他的词作以沉著悲凉的艺术风格立于晚清词坛,与龚自珍、张惠言等并称为清词"后十家"。在标举比兴寄托的晚清词坛,他的咏物词把真意与寄托结合起来,抒发其丧妻之痛、多病之伤、香草美人之旨、身世之悲的情感。而他22首咏物词里出现了6次"懒",用以描述物和人,这更是让他的咏物词呈现出别样的沉郁。结合其生平和词学观,"懒"是王拯情感的外在表现形态,以"懒"行寄托之法,幽隐道出"懒"所蕴含的深厚悲凉的情感,它是王拯郁结于胸的沉重叹息和深重悲伤。 Wang Zheng is a well-known man of letter in Guangxi in the late Qing Dynasty,good at poetry. His words featured with an artistic style of calmness and desolation,which made him famous in the late Qing Ci-poetry Circle. Gong Zizhen,Zhang Huiyan and he were known as "The Latter Ten Ci-poets"in the Qing Dynasty. In the Ci-poetry circle of the late Qing dynasty,all man of letters tried to use "simile",but the poet Wang Zheng's Ci-poetry on objects tried to combine the true meaning with sustenance,expressing his sadness of losing his wife,sickly injury,vanilla beauty,sadness of life experience. There were six "lazy"in his twenty-two ci-poetries on objects describing things and people,which made his Ci-poetry on things and objects presenting with different kind of melancholy. Combined with his life and the concept of Ci,"lazy"is the external manifestation of Wang Zheng's emotions. With the method of "lazy"sustenance,the faint feeling of "lazy"sadness was implied in his Heavy sigh and deep sadness.
作者 蓝哲
出处 《河池学院学报》 2017年第6期32-40,共9页 Journal of Hechi University
基金 河池学院院级青年科研课题"晚清广西词人王拯词作研究"(2013A-H001) 广西高校科学技术研究项目立项项目"晚清广西作家王拯诗词研究"(KY2015LX362)
关键词 王拯 咏物 悼亡 香草美人 Wang Zheng ci - poetry on objects mourn one5 s dead wife vanilla beauty
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