法国追续权立法及其启示研究

Research on the Legislation of Droit de Suite in France and Its Enlightenment in China

追续权起源于1920年的法国,法国当时正处于官方沙龙消亡到艺术市场的过渡时期,艺术家在失去官方赞助后,难以维系生计,而艺术品交易商却通过转售艺术品大发横财。法国立法者认识到作品上的著作权与作品原件的财产所有权相独立,并考虑到艺术创作难以受到《著作权法》的有效保护,由此创设了追续权制度。正是法国当时独特的社会、市场、制度等多种因素,推动了追续权制度于法国的诞生。我国《著作权法》第三次修改正在进行中,草案新增了追续权条款。回溯追续权的诞生过程,我国具有创设追续权制度的正当性与必要性。我国追续权立法可借鉴法国,采用著作权集体管理模式,设置追续金计量门槛,并将追续权限缩适用于公开拍卖,以保证追续权制度的有效运行。

Droit de suite is originated in France in 1920. France was then in the transition period when official Salon collapsed and art market was about to flourish. After losing the support of official sponsorship system, it is difficult for artists to maintain livelihoods. At the same time, art dealers made a fortune by reselling artworks. The French legislators take into account creation that the artistic creation is hardly protected by the copyright law. And the French legislators recognize the work is independent from tangible medium. Then droit de suite is created in France. It was the French local society, market, ideas, laws that promote the birth of droit de suite in France. The third amendation of China＇s ＂Copyright Law＂ is now in the process, and the ＂copyright law＂ draft amendments has ruled the droit de suite for the first time in china. China can learn from the legislation of droit de suite in France, and adopt collective management model. Besides, China should set the threshold in calculating resale royalty and apply droit de suite to the resale of public auction, In order to ensure the effective operation of droit de suite.