暴力泥潭中的复杂审视——评鲁本诺剧作《野兔的嘴唇》

A Complex Look in Violence Mire——On Rubiano's Dark Comedy The Lip of the Hare

拉丁美洲戏剧《野兔的嘴唇》讲述了一个以"不知杀人为恶"为主题的控诉暴力的故事。剧本不限于简单平庸的道德义愤,对主题探讨呈现立体化、复杂化和不确定化。构造了一个揭示和控诉暴力的隐喻和象征体系,借助文化人类学中的关系联想,来传达对于暴力的控诉。结局将原谅暴力与原谅生活之恶并置化处理,带来了在暴力杀戮问题上价值评判的失准,使该剧对暴力的控诉不够彻底,剧中冲突双方的最终和解少了一份说服力。

The drama of Latin America The Lip of the Hare states a story of accusing violence with the theme of ＂being ignorant of the evil of killing a person＂. The drama is not limited in simple moral outrage, and its thematic study is three-dimensional, complicated and uncertain. It constructs a metaphor and token system of revealing and accusing violence, and it conveys its complaint to violence by virtue of the relation association of cultural anthropology. In the end, it combines forgiving violence and forgiving the evil of life, and causes the misalignment of value evaluation in the problem of violence and killing so as to make the complaint of violence less complete and even the final settlement of the two conflicting parties less convincing.