摘要
艺术生产理论为我们研究艺术的嬗变提供了有力的支撑,同时也高屋建瓴地引领了当代艺术生产实践。以此反思,近年来我国的艺术生产出现了异化的倾向:过分注重艺术生产的商品性以及艺术作品的商业价值,在一定程度上忽视了艺术的意识形态性,遮蔽了艺术作为一种社会意识形式所应有的精神品格,片面地凸显艺术消费与艺术生产的关系等问题,诸如此类现象值得我们深入探讨。鉴于此,深刻而全面地解读艺术生产理论,方能正本清源、甄别优劣,为当下艺术生产实践走出误区指明方向。
Art production theory has provided a powerful support for our research on art transformation, and it pro- foundly guides contemporary art production practice. However, in recent years, our national art production has a cata- bolic trend. For instance, the materiality and commodity of art production is paid an excessive attention to. This ig- nores the ideological attribute of art to some extent, and even obliterates the spiritual quality of art which is a must to be a kind of social consciousness form, and unilaterally highlights the relation between art consumption and produc- tion. The above - mentioned problems demand a profound discussion. To profoundly and comprehensively interpret art production theory will help to reform radically and tell what is good or bad, so as to indicate directions for art produc- tion to walk out of the wrong region.
出处
《艺术百家》
CSSCI
北大核心
2017年第6期60-63,81,共5页
Hundred Schools In Arts
基金
2014年度国家社会科学基金后期自资助项目"观赏文明研究"(项目编号:14FZW055)阶段性成果之一