重读费穆:反向辩证与修身至性

Re-understanding Fei Mu:Reversed Dialectics and Cultivating One's Moral Character to the Perfect

中国抒情传统"情"之本质化、本体化的倾向,"情"之悲感的格调和叹逝的情怀在费穆的电影中达到了至今难以超越的纯度和高度,他开创了中国电影独特的"叹逝"美学。费穆超越进步主义时代的意识形态压力而表现出的对中国传统"思想的根本精神"的守护和传达,是一种"反向辩证"的姿态。对道德自律和个人理性的信念来自他对儒家修身思想在知识和精神上的直觉与修炼。

The essence and ontology of traditional Chinese feeling and the tragic sense of the feeling has been ex- pressed in a purity and height that could difficult to be surpassed in Fei Mug film. He inaugurated aesthetics of exclai- ming the lapse of the time peculiar for Chinese film. It is a reversed dialectics posture that Fei Mu transcended the ideology stress to express his concern and protection of traditional and fundamental thought. The belief of moral self - discipline and individual reason generated from his consciousness and cultivation of Confucian thought and knowledge.