日常与人常:电影《柳如是》的文化思考

Daily Life and Proper Human Relationships:Cultural Thinking of Film Liu Rushi

借烟花女子与士人情缘来谈论政治,是中国思想史上的一大传统。自明清易代以来,柳如是与钱谦益的姻缘与离合就是一个焦点问题,且实质上成为知识分子思想反思的隐喻行为。即便是陈寅恪和刘斯奋笔下的柳如是,也更多成了知识分子心目中对历史思考的代言角色,而对其人的意义上的女性命运和思想独立着墨不多。吴琦执导的电影《柳如是》突破了传统的话语理路,从俗世生活的庸常中发现人的真心真情,拍出了这一题材的"三感"与"三气"。"三感",就是时代感、人生感和美感;"三气",则是正气、才气和大气。

It is a tradition in Chinese thinking history through the predestined love between girls in whorehouse and scholars. In late Ming and early Qing dynasty, the marriage, separation, and reunion between Liu Rushi and Qian Qianyi became a focus issue, and it actually became a metaphorical behavior of the intellectual. Even Chen Yinque and Li Siren seldom referred to Liu Rushi＇s destiny and independent thinking. The film Liu Rushi directed by Wu Qi broke through the traditional utterance and discovered her true mind and feeling from earthly life.