摘要
设计学及其设计美学学科在中国的建设发展之历史较短,与之相关的中国设计美学研究经历了由工艺美学、技术美学到设计美学的三个阶段。这反映出学界对设计学和设计美学学科性质及其研究对象的意见分歧。虽然每一个阶段都产生了大量的研究成果,尤其是技术美学阶段的一些成果对设计美学中的相关问题有着深入的思考,但整体学术质量参差不齐,学界对设计美学学科性质及其研究对象等问题的理解上还没有取得共识,存在着较大的偏差和混乱。我们通过回顾和反思,对这一问题的解决提出当下的思考和展望。
Design science and design aesthetic discipline has been established and developed for a short time. And the relevant Chinese design aesthetic research has experienced 3 phases from arts and crafts to technology aesthetics to de- sign aesthetics. This reflects there are different opinions upon the disciplinary nature and research object of design sci- ence and design aesthetics. Although there are great deals of research results in every phase, however, scholars have not reached a common view. Based upon a review and introspection, we could propose some thinking and prospect for this problem.
出处
《艺术百家》
CSSCI
北大核心
2017年第6期154-160,共7页
Hundred Schools In Arts