老子哲学思想与中国书画艺术审美

Laozi's Philosophical Thinking and Artistic Aesthetics of Chinese Calligraphy and Painting

老子的哲学思想与中国书画艺术表现有着直接的联系,其涉及艺术审美、艺术表现的本体问题以及中国书画艺术创作审美的核心内涵。老子哲学中的"有""无""拙""味""妙"以及艺术美的"神秘性"等概念、范畴、命题。直接揭示了中国书画艺术的审美要义,进一步提升了艺术家的审美直觉,审美意象,创作理念与创作意识及创作表现形式,这些哲学思想都直接或间接对中国书画艺术产生很大影响,成为中国书画艺术美学理论中的重要内容。

Laozi＇ s （老子） philosophical thinking was directly related to the artistic performance of Chinese calligraphy and painting. It touched upon such ontological issues as artistic aesthetics and artistic performance, and it was related to the aesthetic essence of creation in Chinese calligraphy and painting. Such conceptions, categories and propositions from Laozi＇ s philosophy as ＂having＂, ＂having not＂, ＂dullness＂, ＂taste＂, ＂wonderfulness＂ and the ＂mystery＂ of artistic beauty, revealed the aesthetic essence and the performance form of artistic creation in Chinese calligraphy and painting. Laozi＇ s （老子） philosophical thinking has directly or indirectly exerted profound influence upon the art of Chinese calligraphy and painting and become important contents of aesthetic theories of Chinese calligraphy and painting.