从艺术作品感性结构的“生发-显现”看海德格尔的“凡·高阐释”

A Study of Heidegger's “Interpretation for Van Gogh” from the Perspective of “Becoming and Manifestation ” in the Sensory Structure of Artistic Works

海德格尔的"凡·高阐释"在学界产生极大影响,同时也引发了一些质疑、批评与争论。为深化对其阐释的理解,需将其置于其思想转向后的理论语境中。判断这种阐释是否合理并合度,需要回到审美经验中艺术作品感性结构的"生发-显现"这一现象去印证。如果说艺术作品感性的显现是诗,那么审美解释则是思。诗思是否同一,当成为理解海德格尔"凡·高阐释"的基本根据和参照。

While Heidegger＇s ＂Interpretation for Van Gogh＂is influential in academic circles,there are also some challenges,criticism and arguments. In order to deepen the understanding of Heidegger＇s interpretation,we need to contextualize it in the theory after the turn of his thought. To determine whether the explanation is reasonable and appropriate,we need to verify it by returning to the phenomenon of ＂becoming and manifestation＂ within the sensory structure in aesthetic experience of artistic works. If the sensory manifestation of artistic works is poetry,then the aesthetic interpretation is thought. Whether poetry and thought are identical or not should be the fundamental basis and reference to understand Heidegger＇s ＂Interpretation for Van Gogh＂.