摘要
"落难文人"叙事模式是张贤亮继承和发展中国传统戏曲中"才子佳人"叙事模式的产物。"落难文人"模式是对传统叙事模式的延展,"才子"变为被打成"右派"被流放的知识分子,"佳人"变为大西北的底层劳动妇女,其悲剧的结局不同于传统的"大团圆"叙事模式,是对中国传统叙事的继承和重构。
Zhang Xianliang has created the narrative mode of "scholars in adversity",whose concept is inherited and developed from "wit and beauty",which is the narrative mode in Chinese traditional opera. "Scholars in adversity",a ramification of the traditional narrative mode,is a result of the misery life experiences and Chinese traditional literature. During that certain period,"wits"were wronged as the"Rightist"and exiled,while"beauties"became working women at the bottom of society in northwest China. The tragic result is inherited and reconstructed in accordance with traditional narrative mode,and it is different from "happy reunion "in traditional narrative mode.
出处
《淮海工学院学报(人文社会科学版)》
2018年第2期39-42,共4页
Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)
关键词
张贤亮
“落难文人”
“才子佳人”
叙事模式
Zhang Xianliang
"scholars in adversity"
"wit and beauty"
narrative mode