“夫乐有适、心亦有适”古代审美主体的接受心理——读《吕氏春秋·适音》及相关文献笔记

Moderate Music with Moderate Inward is the Manifestation of Receptive Psychology of Ancient Aesthetic Subject——Moderate Music in Lü's Commentaries of History and Its Pertinent Literatures and Notes

从中国古代艺术审美角度来看,艺术之美不仅在于艺术载体呈现出来的表现形式,还在于艺术活动的创造者与接受者融合成为艺术欣赏审美主体的内心接受。通过对《吕氏春秋·适音》及相关文献的研习,探究"心适"与"音适"在先秦各文论流派思想中的地位,以此表明中国古代艺术接受追求以"适"作为最高的审美理想。阐释中国古代审美主体以"适"为中心的接受心理,可谓是一种大巧若拙的艺术精神之境界。

From the point of art aesthetic of ancient China,the beauty of art is not only the form expressed by art carrier but also the inner acceptance of aesthetic subject that fused the creator with the receiver of art. Exploring the status of ＂moderate music＂and ＂moderate inward＂ in all schools and thoughts of the Qin dynasty by the study of Moderate Music in Lü＇s Commentaries of History and its pertinent literatures and notes indicates that ＂moderate＂is the highest aesthetic ideal of Chinese ancient art acceptance. ＂Moderate＂,the receptive psychology of Chinese ancient aesthetic subject,is the spiritual realm of art.