崔遵度二十三徽“自然之节”新解

New Explanation of Natural Spot of Cui Zundu's 23 Huis

北宋崔遵度所著《琴笺》,被认为是琴学理论发展中的重要作品,其中提到徽的设定系"自然之节"的理论,为琴律基础理论打开了新的认知之门。以往研究中,多以为崔遵度的"二十三徽自然之节"是指在一根弦上得到明暗徽共23个。经过对原文献的阅读和分析后知,这应是十三个明徽在七条弦上实际泛音音高的集合,并非涉及暗徽理论。

In the Song dynasty,Cui Zundu wrote Qinjian,which was considered to be an important work in the development of the theory of qin music. Qin Jian mentioned that the Hui＇ssetting is ＂the natural spot＂,it was a central theory in the history of qintemparement. In previous studies,the idea that Cui＇s ＂23 Huis＂was referring to 23 spots on just one string. But actually,the＂23 Huis＂is the collection of the actual harmonic pitch of the thirteen huis on seven strings.