新时期作家文学思想与中国当代文论建构

Writers' Literary Thought in the New Era and the Construction of the Contemporary Chinese Literary Theory

新时期的中国作家文学思想是中国当代文学理论建设的重要维度,为文学理论危机的解决提供了宝贵的思想资源与话语形态。新时期作家文学思想以"介入的形式美学"为思想内核,作家们不但具有一以贯之的"现实关怀",同时坚持从"汉语写作"和"审美体验"的双重维度展开对"现代""中国"审美形式的探索。作家文学思想给中国当代文论建设提供的重要启示在于文学思想和"中国""文学"的贴近以及强调审美经验传达的诗性话语形态。理想的中国当代文学理论应该是一种向"中国""当代""文学""个体"敞开的"活"的理论。以此为参照,新时期作家文学思想的主要局限在于"个体"的缺失,独立作家文学思想的产生有赖于独立作家个体的确立。

Writers'literary thought is an important dimension of contemporary Chinese literary theory and they provide valuable thought resources and discourse form to cope with the crisis of literary theory.The inner-core of Chinese writers'literary thought in the New Era is a committed formal aesthetics.The most important significance which writers'literary thought gives to the contemporary Chinese literary theory is not only that literature thought should be close to Chinese literary praxis,but also the discourse of aesthetic experience.The ideal of contemporary Chinese literary theory is a kind of living theory,for China,contemporary,literary praxis and individual oriented.According to this ideal,the main problem or limitation of writers'literary thought is the lack of individuality.The independent writers'literary thought depends on the establishment of writer's independent individuality.