《文心雕龙》与中国文论成熟期生命力话语的建构

The Literary Mind and the Carving of Dragons and the Construction of Vitality Discourse in the Mature Period of Chinese Literary Theory

贵生乐生是人类与生俱来的本性,也是中国文化的基本精神。以刘勰《文心雕龙》为代表的成熟期的中国文论,继承中华文化久远的生命精神,融入当代文人对生命的思考,建构了一套贯穿天地大化、人类自身、文学本体和文论自身的生命力话语。天地万物生机盎然,人类自身活力丰盈,文学与天地并生,文论生命化的言说,与生生不息的天地精神同在。这一深厚的生命力话语建构意识,体现在这一时期的文论从概念到思维的整个体系当中,深远地影响着中国文论的思维和言说方式,成为中国文论民族特色的基本要素。

Loving lives is not only the innate nature of human beings, but also the basic spirit of Chinese culture. The Chinese Literary Theory in the mature period, which is represented by Liu Xie＇s The Literary Mind and the Carving of Dragons, inherits the long life spirit of Chinese culture and integrates into the thinking of the contemporary literati, and constructs a vitality discourse which runs through the word, the human being, the literary ontology and the Literary Theory itself. The world is full of vitality, and human beings is full of vitality. Literature is born with the world, and the discourse of life in Literary Theory is in harmony with the spirit of endless world. This deep vitality discourse construction consciousness, reflected in this period of Literary Theory from the concept to the thinking of the whole system; influences Chinese Literary Theory＇s thinking and way of speaking, and becomes a basic element of national characteristics of Chinese Literary Theory.