摘要
1920年代,沈从文初入北京时期对都市灰色生活的书写,不仅是其生活的"自叙传",更是其对都市的"怨恨之爱"的表现。而其对记忆中湘西的书写,则让自我创作的个性得以初步凸显,也为其后来"湘西——都市"对立文学格局的形成奠定了基础。而就1920年代的审美语境来看,其湘西书写是在启蒙视阈外构建了一种诗性的乡土生活,为世人提供了重建资源寻求的本土化向度。
During his first arrival in Beijing in 1920s, Shen Congwen＇s writing works on urban street life is not only a reflection of his own autobiography, it is more of an expression of his love entangled with hate towards the metropolis. Then his retrospective writing of Xiangxi area for the first time indicates his writing style, and paves way for his later ＂opposite literature＂ structure of Xiangxi-Metropolis. In the context of 1920s＇ literature appreciation, Shen＇s writing of Xiangxi not only helps build a poetic rural life, but also offers people new localization perspective of rebuilding resources.
出处
《中国文学研究》
CSSCI
北大核心
2018年第1期156-160,共5页
Research of Chinese Literature
基金
教育部人文社会科学研究规划基金项目"生存空间视阈下沈从文文学创作研究"(16YJA751026)
湖南省社科基金项目"文学湘军的流变与中国当代文学转型"(12YBA279)
湖南省普通高校教改项目"中国现当代文学教学改革与德育渗透研究"(湘教通[2015]291号)
