摘要
滕固是民国时期著名的美术史家、美术考古学家,被认为是中国近现代艺术史学研究的奠基者。身处中西文化碰撞的社会文化语境下,滕固兼具"士人"和"学者"的双重文化身份。其一面秉承中国传统文化"济世安民"的价值取向,一面坚守西学求真的学术涵养。这两者共同影响了其艺术研究的风格,形成了其艺术思想研究中民族主义的美学旨趣和以史代论的美学特征,凸显了其艺术思想的独特性。
Teng Gu was a famous art historian and fine art archaeologist in the Republic of China,and was regarded as the founder of modern Chinese art history.Living in the social and cultural context of the collision between China and western countries,Teng Gu had both the dual cultural identity of the"shi"and"scholar".Teng Gu is adhering to the traditional value of resolving the people and country in the bad living background,while maintaining the academic knowledge of Western learning.They both influenced the style of Teng Gu's art study.He had formed his artistic thought in the study of the aesthetic purport of nationalism.At the same time,he focuses his eyes on the aesthetic characteristics of the historical facts in researching fine art.
出处
《湖州职业技术学院学报》
2017年第4期16-19,共4页
Journal of Huzhou Vocational and Technological College
关键词
滕固
艺术美学
民族主义
以史代论
Teng Gu
aesthetics of art
nationalism
using historical facts instead of theories