期刊文献+

论仇英《清明上河图》的摹古与创新

Riverside Scene at Qingming Festival: Qiu Ying's Imitation and Innovation of Ancient Paintings
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摘要 仇英是吴门画派之一,与沈周、文徵明、唐寅合称"吴门四家"或"明四家"。文章介绍仇英的艺术生涯及仇英版《清明上河图》的创作背景,分析《清明上河图》在摹古方面的过人之处,从青绿重彩视角分析其对树、石、山、水、舟、车、建筑等景物在同图本用笔、用墨的变化,重点突出仇英版《清明上河图》对张择端版《清明上河图》的继承、发展,探究仇英在《清明上河图》创作中的创新与变革。 Qiuying is one of the painters of Wu School,and he has been called “The Four WU family” or “Four Masters of the Ming family” with Shen Zhou, Wen Zhengming and Tang Yin. The paper introduces his artistic career,the background for creating Riverside Scene at Qingming Festival, analyzes the uniqueness and changes of his copying from the perspectives of using indigo and green color to draw scenes of trees, stones, mountains, water, carriages,architectures and others, highlighting the inheritance and development of the one drawn by Zhang Zheduan and exploring the promotion as well as the innovation of Qiuying ’ creation.
作者 胡蓉
机构地区 湖北美术学院
出处 《宁波教育学院学报》 2018年第1期118-120,共3页 Journal of Ningbo Institute of Education
关键词 仇英 清明上河图 青绿重彩 摹古创新 Qiuying Riverside Scene at Qingming Festival heavy colors of indigo and green imitation and innovation of ancient paintings
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