摘要
解放战争题材小说是十七年(1949-1966)文学革命历史小说的一部分。从性别视角可以读出解放战争题材小说蕴含着战争与性别关系的思考,某种程度上表现了作家对具有进步意义的中国当代女性形象的一种审美想象。《保卫延安》偏重男性主体群像塑造,是一部男人的书。《红日》《林海雪原》在展现女性形象主体性色彩的同时,对女性身体的修辞渲染未摆脱传统性别文化将女人视为被看的观念。《百合花》的审美价值则标志着女性作家在写作中超越有限后所能达到的高度。
The so-called"liberation war novels"constitute a part of China's revolutionary history novels of the"seventeen-year literature"period( 1949-1966). Reading these works from the gender perspective may reveal thoughts on the relationships between war and gender,and to some extent,represents the authors' aesthetic imagery of contemporary Chinese women in the van. Primarily a depiction of a collective image of male characters,Defending Yan'an is a"men's book."The Red Sun and Forest Sea and Snow Plain,on one hand display the subjectivity of female characters,on the other hand,the rhetorical descriptions of female corporality fail to break the cultural tradition where women are regarded as objects of gazes. The esthetic value of Lilies,however,indicates an apex that female writers were able to achieve by transcending their limits in writing.
出处
《湘潭大学学报(哲学社会科学版)》
CSSCI
北大核心
2018年第1期107-112,135,共7页
Journal of Xiangtan University:Philosophy And Social Sciences
关键词
解放战争题材小说
战争与性别
写女性
女性写
liberation war novels
war and gender
writing about women
women's writing