早期云南民族电影的国家认同建构

The Construction of National Identity of Early Yunnan Minority Film

早期云南民族电影是特定历史语境下国家对各个民族进行国家认同意识培养的重要工具。这些电影通过一定的创作策略,将有关国家主权、国家政权、国家政治发展道路、国家基本政治制度的内容融入影像叙事,进而培养各个民族对中华人民共和国、中华民族的归属感和自豪感,培养其爱国主义情怀,使"三个离不开"深入人心。这样的角色定位在一定的程度上使得早期云南民族电影从总体上讲存在艺术性有所欠缺的不足,但结合当时的时代背景,其不足如内容上呈现为意识形态色彩浓郁、主题明确及形式上表现为情节结构简单、叙事模式化、人物类型化等其实是有一定的道理的。一些电影尤其是以爱情为主题的电影具有较高的艺术价值,不仅为受众提供了娱乐,同时也更为有效地讲述了"国家"与"民族"。

Early Yunnan minority film is an important medium of training and constructing the sense of national identity of ethnic groups under the specific historical context. These films with the aid of certain creation strategies to integrate the content of national sovereignty, the state power,national political development road and national basic political system into the movie narrative, in order to cultivate all groups the sense of belonging and pride of the People ’ s Republic of China and the Chinese nation, cultivate all groups ’ patriotic feelings, make the policy “ every ethnic group cannot be separated from each other” be deeply rooted in the hearts of the people. The role makes the films lack of artistic quality on the whole, but in view of the background of that time, the weaknesses such as strong ideological attribute, specific theme in content and simple plot structure, stereotyped narrative and typed characters in form, are actually reasonable. Some especially love movies reflect the higher artistic value, which not only providing entertainment to the audience, also more effectively conveying the theme of “ nation- state” and “ethnic minorities”.