摘要
哈尼族丧礼中的"哈巴惹"具备诗、歌、观演、剧场等核心戏剧要素,在多重文化功能交织的剧场空间中,一方面,艺人创造性地综合运用模拟、扮演、程式技巧等,再现了史诗经典片段;另一方面,通过对现实人物的代言催生了激烈的竞技表演,打破了静观戏剧的观演对立,体现了"哈巴惹"嵌入社会生活的独特实践性、互动性和趣味性。民族戏剧的挖掘和研究因而必须回到当地人的现实生活本身。
In the Hani funeral,"Ha Ba Re"features the core elements of drama such as poetry,song,performance,theater and so on. On the one hand,the artist creatively uses simulation,play,program technique,etc. to reproduce the epic classic fragment in a multi-cultural intertwined theatre space; on the other hand,it has created a fierce competitive performance through the endorsement of realistic characters,breaking the confrontation of the static drama and embodying the unique practicality and interaction of "Ha Ba Re"embedded in the social life. The excavation and research of ethnic drama must thus return to the real life of the locals themselves.
出处
《北方民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2018年第1期96-101,共6页
Journal of North Minzu University(Philosophy and Social Science)
基金
教育部人文社会科学研究青年基金项目"云南少数民族民间原始形态戏剧的文化生态学研究"(14YJC760078)
云南省教育厅项目"云南哈尼族‘哈巴惹’吟唱艺术的戏剧性特征研究"(2013Y209)
关键词
哈尼哈巴
口头艺术
戏剧
竞技
表演
Hani Haba
Verbal art
Drama
Competition
Performance