摘要
《汉宫秋》所刻画的昭君艺术形象,突破了此前以"哀怨"为核心的主题表现。通过儒家君子、士人精神的注入,马致远笔下的王昭君其实就是其自身思想的投射。正是基于士人化的昭君形象,《汉宫秋》才如王国维所说,展现出了一股"雄劲"之力。然而,由于其自身以及时代的原因,王国维虽然感知到了这股儒家精神,却在悲剧品评中抛弃了文化根基。
The artistic image of Zhaojun depicted in Yuan drama Han Gong Qiu broke through the previous core theme of＂sad and whining＂.Through the spiritual injection of the Confucian gentleman and the scholar,Wang Zhaojun in Ma zhiyu＇s drama work was actually the projection of his own thoughts.It is based on the scholar＇s image of Zhaojun,the drama Han Gong Qiu,as Wang Guowei said,revealed the characteristics of＂virility＂.However,due to the reasons of his own and the times,Wang Guowei did sense this Confucian spirit,but he abandoned the cultural foundation in the tragic appraisal.
出处
《湖北工程学院学报》
2018年第1期54-62,共9页
Journal of Hubei Engineering University
基金
陕西科技大学社会科学预研基金(2016BJ-56)
关键词
《汉宫秋》
王昭君
士人
悲剧
王国维
Han Go n g Qiu
Wang Zhaojun
scholar
tragedy
Wang Guowei
