从后人类到后电影:《她》中主体性与再现的危机

From Posthuman to Postcinema:Crises of Subjecthood and Representation in Her

本文分析了电影《她》的人机恋爱中物质性、具身性和性别问题之间的关系,同时指出了传统电影和数字电影之间技术因素的关联。正如该片展现了传统性别化主体性的瓦解,电影未来的可能性也将是数字电影与胶片本体论之间的决裂,以朝向新的、不确定的形态。

This article posits a connection between questions of materiality, embodiment,and gender at the center of the love affair between a man and hiscomputeroperatingsystem in Her and the relationship between the technologies oftraditional filmmaking and those of digital film production. As the film＇s lovers attempt tostrategically deny and forestall the collapse of the traditionalgenderedsubjecthoodonwhich their relationship rests, so too does the film engage with the possibility of a futurewherein digital film departs from the ontologies of its celluloid predecessor toward thecreation of new, uncertain forms.