摘要
原著粉丝是电影观众与文学粉丝群体的交叉类型,在IP影视产业中意义重大。文章通过热门IP"鬼吹灯"影视剧改编过程中的粉丝实践,分析原著粉丝如何通过与改编者争夺文本、组建虚拟的共同体、参与原著气质的构建,在文化工业中构建身份和获取权力。原著粉丝的实践仍是有限的参与,其主体性仍显脆弱。
Original fans are both movie audience and literary fans, who are important in the IP industry. Taking fan practices in the adaptation process of popular IP Candle in the Tomb as an instance, this article analyzes how the original fans constructed identity and gained power in the cultural industry. They fought with the adapters, built a virtual community and contributed in constructing temperament of the original work. However, the practices of the original fans are quite limited, and their subjectivities are still fragile.
出处
《电影艺术》
CSSCI
北大核心
2018年第1期58-64,共7页
Film Art
