摘要
艺术精神被新儒家认为是文化的核心要素,徐复观从他的人性论出发,对儒家的主体性意识和自由性观念做了系统性研究,以"忧患"为前提的主体性意识将"人"从"神"和"物"的束缚中解放出来,而以"文化自由"为核心的"真正自由"又为"派生自由"确立了根据,这间接为儒家文化中的"艺术精神"做了根本性界定。儒家艺术作为艺术精神的感性呈现,承担起艺术家"德与能"之于社会所承担的责任感,作为功利性的外在表现,这种责任感植根于艺术家人性自由的无功利,最终与受众产生共鸣。
Artistic spirit is considered the core of culture by Neo-Confucianists. Starting from his theory of humanity, Xu Fu-guan did a stystematic study on the Confucian concept of subjectivity and freedom. Take ＂ anxiety ＂ as a premise,subjectivity liberates humanity from deity and objects. Focusing on ＂cultural freedom＂ true freedom ＂ sets the foundation of ＂derived freedom＂,and thus defined the confucian artistic spirit. As the embodiment of artistic spirit, Confucian art undretakes the social responsibility resulted from the artist 5 s non-utilitarian humanity, and resonates with the audience.
出处
《文化艺术研究》
CSSCI
2017年第4期1-8,共8页
Studies in Culture and Art
基金
2014年教育部人文社科基金项目"徐复观艺术思想的当代意义研究"(项目编号:14YJC760094)成果
关键词
艺术精神
人性
儒家
先秦
徐复观
artistic spirit
humanity
Confucianism
Pre-Qin
Xu Fu-guan
