非人:解域视野下的德勒兹电影思想研究

Unhuman:Deleuze's Cinematic Thoughts from the Perspective of Deterritorialisation

在德勒兹的思想体系中,解域是一个核心观念。它指某个事物从它的原初领域解放出来,转而以块茎的不受控的漫溢生长与一种创造的潜力直接挂钩。本文基于这一概念,尝试解读德勒兹的电影思想,并以相对解域和绝对解域对运动—影像与时间—影像这两种形态进行了区分。如果从相对解域的立场来看,运动—影像呈现出朝向生命开放的品格;那么绝对解域后的时间—影像则是把生命引向了它的最高价值,一种"非人"的内在性生命,它以变化对抗同一,用情感替代判决,而真理也在陷入危机的同时获得了新生。

Deterritorialisation is the core of Deleuze ' s thoughts. It means that something has been liberated from its original field, and is directly linked to the uncontrollable diffuse growth of tubers and a potential of creation. Based on this concept, this article tries to interpret Deleuze's cinematic thoughts,and to distinguish movement-image from time-image by the concept of relative deterritorialisation and absolute deterritorialisation. From the viewpoint of relative deterritorialisation, movement-image is open to life. From the perspective of absolute deterritorialisation, time-image is life at its highest value,an " unhuman " internality,which fights against homogeneity with changes, replaces judgment with emotion, and makes truth reborn.