摘要
20世纪以来,新东方主义立足于东方文化艺术的美学根基,在大量艺术设计实践探索中逐步呈现出以继承东方传统文化精华,汲取西方文化艺术优秀成果为特征的文化艺术面貌。设计项目《印象客家》以新东方主义美学及艺术形态特征研究为主导,通过对土楼客家传统文化元素的梳理提炼,将其运用在空间设计的艺术实践中,并进一步探讨地域文化在历史进程中保护与发展、继承与创新的途径与方式。
Since the 20th century,neo-orientalism has been based on oriental culture and art aesthetics.After much practice and exploration of art designs,it gradually inherits the oriental traditional cultural essence and draws the outstanding results of western cultural art.The design project Impression on Hakkas focuses on the studies on neo-orientalism aesthetics and art morphological characteristics.The author uses it to the art practice of space design by sorting out and refining the traditional cultural elements of Earth Building Hakkas to explore the protection and development,inheritance and innovation way of regional culture in course of history.
出处
《福建江夏学院学报》
2017年第6期71-80,86,共11页
Journal of Fujian Jiangxia University
关键词
新东方主义
客家文化元素
空间表达
文化自信
neo-orientalism
hakkas cultural elements
space expression
culture confidence