京剧程式创作观念的审美嬗变研究(1840—1990)

A Study on the Aesthetic Evolution of Stylization Performance of Peking Opera(1840-1990)

京剧程式创作,作为戏曲舞台形象塑造的重要语汇,把代代京剧艺人对生活高度炼意的经验(观念)以抽象虚拟的思维转化为具象可视的舞台艺术符号,经过历史文化的不断涤荡与所处时代的审美趣味相结合并达成一定的默契统一。可以说,京剧程式创作的审美嬗变,是京剧演员塑造一切人物形象的技术基础、灵感源泉和方向指引,它链接着京剧程式与程式化的相关问题,京剧程式语汇和程式语法构建的问题。简而言之,对京剧程式创作观念的审美嬗变研究关涉到京剧创作本体的认知。

Stylization performance of Peking Opera is an important term of image-building in Chinese traditional opera, which turns theabstractexperience accumulated by opera perfonlaersinto the visibleartistic stagecraftsigns. It is influenced by historic culture and combines with aesthetic taste of its era to reach a harmonious status to some degree.Therefore, aesthetic evolution in stylization performance of Peking Opera serves as the technical base,inspiration sources and direction guide for the performers.It builds the connection between stylized performing and stylization, the stylization terms and its grammar structure. In brief, the study on the aesthetic evolution is very important for the cognition onthe subject of Peking Opera performance.