革命年代的古典生活诗意——1956版电影《家》的空间诗学与家园情思

The Space Poetics and Family Sentiments in the Film The Family of 1956

巴金的《家》是一部反抗家长制度的小说,很长一段时间以来,在当代中国文化语境中,对它的解读突出的都是其革命性的一面,而未充分关注隐藏在主人翁"出走"态度之后对于"家"的某种眷恋。1956年版的电影《家》,以其对环境、生活细节的表现,在突出原著主题的同时,也为中国传统家庭生活的诗意一面留下了一幅幅情韵深长的剪影,同时,也使原著内蕴的丰富得到了一种新的说明。

Ba Jin＇ s The Family, a novel against the patriarchal system, has long been, in the context of contemporary Chinese culture, dominantly interpreted for its revolutionary side without paying sufficient attention to some attachment of the protagonist to the family hidden behind his attitude of ＂running away from his family. The film The Family projected in 1956 and focused on the environment and details of life, not only stresses the theme of the original work but also leaves a profound and impressive silhouette for the poetic side of the traditional Chinese family life, thus injecting a new interpretation into the rich originality of the original work.