摘要
在清代文言小说中,以悲剧结局的女侠篇目虽然不多,但她们是对唐女侠功成身退结局的重大突破。这也表明一种倾向:清文人开始注重悲剧的审美价值。女侠也不总是以胜利者的姿态出现,她们也有失败,她们也有遗憾,女侠由"神"的本质回归"人"的本质。
In the novel of the Qing dynasty, there are not many women's stories in tragic endings. , but they are a great breakthrough in the success of the legend Tang dynasty, which the image of female always retire after winning merit. It also shows a tendency : scholar of the Qing dynasty began to pay attention to the aesthetic value of tragedy. The female chivalrous in the novel are not always a winner, they have failed, and they have regrets, the female chivalrous returns to the essence of "man" from the essence of "God".
基金
四川省教育厅人文社科重点项目"清代武侠小说中的女侠形象研究"的研究成果之一(项目编号:13SA0047)
关键词
清代文言小说
女侠
悲剧
表现
价值
classical Chinese novels of Qing dynasty
female chivalrous
tragedy
performance
value