集古有成——张大千的收藏与创作演变之关系

A Study on the Relationship between Zhang Daqian's Collection and Artistic Creation

张大千不仅是著名的书画家,同时也兼具收藏家、鉴赏家、作伪者和书画商等多重身份。其一生创作了数以万计的作品,内容兼及释道、山水、人物、花鸟、走兽各门类,既能作工笔小品,也能绘写意巨作。这些作品突出地体现了张大千致力于从传统艺术中吸收养分,从而以摹古、拟古、融古、化古的方式进行创作的现象。因此,要全面、深入阐释张大千的创作渊源、师法对象、作品风格,就不能不对其收藏、鉴赏活动进行准确的把握。本文试图通过比较张大千的收藏变化与创作演变之关系,对其20世纪上半期的艺术创作做出较深入的阐释。

Zhang Daqian is not only an eminent artist of painting and calligraphy, but also a collector, connoisseur, master forger and art dealer. Being good at both meticulous and freehand styles of painting, he created in his lifetime tens of thousands of artworks, depicting Buddhist and Taoist subjects, landscapes, birds, flowers, figures and beasts. Those works illustrated Zhang＇s artistic creation course from imitating the past to integrating the past style into his own manner, Therefore, the study of Zhang Daqian＇s collection and appreciation activities is significant for the understanding of his creation source, artistic style and the masters that he mimicked. This article analyzes the relationship between Zhang＇s collection and creation, and furthermore interprets his creation activities in the first half of the 20th century.