从《大圣归来》看中国动画影视中孙悟空形象的演变

The Evolution of Sun Wukong's Image in Chinese Animated Films from Monkey King:Hero is Back

文章以脉络的形式对孙悟空动画形象的诞生和发展进行了梳理论述,并将前期孙悟空形象与《西游记之大圣归来》中的新孙悟空形象进行比较分析,作为中国最典型的文化符号之一,孙悟空动画形象变迁承载了时代的变革和进步的影证,从文化生态背景和形象生成解读中,孙悟空动画形象经历了本土文化和外来文化的反思与自觉,最后在《大圣归来》中,以成功的社会价值和视觉文化语境,重新完成一个经典形象的轮回。

Based on the birth and development of S un Wukong,the animation image,this paper carries out a discussion and comparative analysis between the pre-image of Sun Wukong and its new image in Monkey King ：Hero is Back. As one of the typical cultural symbols of China,Sun Wukong＇s animation image change witnesses the changes and progress of the era. From the ecological and cultural background and image interpretation,Sun Wukong,through the introspection and consciousness of local culture and foreign culture,has successfully fulfilled the reincarnation of a classic image in Monkey King ：Hero is Back.