沈颢《富春山居图》临本题跋考述

Study of Postscripts on Reproduction of Fuchun shanju tu by Shen Hao

1970年代,饶宗颐首次公布并解读了香港所藏沈颢顺治十五年《富春山居图》再临本原跋,及其由顺治八年初临本过录的宜兴吴洪裕族人题跋。《愚谷文存续编》《宜荆吴氏族谱》等重要文献为进一步考释吴氏题跋的流传过程,及吴骞所起的重要作用、吴洪裕族人的生平及相互关系,沈颢宜兴之行的陪同人员如蒋泽礨、吴石雪、吴贰公等问题提供了新的证据,可补正饶氏成果之不足。顺治十五年再临本原跋及宜兴吴氏题跋,是佐证、还原顺治七年宜兴吴洪裕火殉《富春山居图》这一事件的关键证据,同时对该画的残卷辨伪、原貌复原等问题也具有重要价值。

In 1970 s,Rao Zongyi firstly publicized and interpreted the original postscripts on Shen Hao's1658 reproduction of Fuchun shanju tu(Dwelling in the Fuchun Mountain)then collected in Hong Kong,as well as the postscripts by Wu Hongyu's clansmen in Yixing on the 1650 reproduction that were copied by Shen Hao.Some important documents,including Yugu wencun xubian(sequel of Yugu's writings)and Yijin wushi zupu(genealogy of the Wu clan in Yixing),provide new evidences for the spread of the postscripts by the Wu clansmen and the critical role of Wu Qian,the life stories of Wu Hongyu's clansman and their relationship,as well as scholars accompanying Shen Hao in his trip to Yixing,such as Jiang Zelei,Wu Shixue,Wu Ergong.All of these could enrich the study by Rao Zongyi.The postscripts on the 1658 reproduction and the earlier postscripts by the Wu clansmen are key evidences to reconstruct the event of burning-of-Fuchun shanju tu by Wu Hong in 1649.The texts are also valuable for identifying the painting and restoring its original state.