摘要
云南昆明筇竹寺五百罗汉造像是中国罗汉彩塑艺术的典型代表之一,是宗教佛理、民俗文化、艺术美感等多种文化熔铸合流的汇成之作。在我国动漫陷入严重同质化窠臼的当下,从筇竹寺五百罗汉造像的叙事性、形象性、戏剧性、民俗性、宗教性等方面,分析对当代动漫角色的剧本、形象、动作、色彩、内涵等方面所具有的启示意义,由此探求在数字媒体时代下动漫角色创作的新路径。
Five hundred arhat statues of Qiongzhu temple,Kunming,Yunnan is a typical representative of the painted sculpture art of Chinese arhat,cultural fusion of religion,Buddhism,folk culture,and art.In China,where animation is set into serious homogenization today,through the five aspects of narrative,arhat image,drama,folk religion in five hundred Temple arhat statues,analyze the enlightenment significance on the script,image,action,color and connotation of contemporary cartoon characters,and explores a new approach to the creation of anime characters under the age of digital media.
出处
《安徽师范大学学报(社会科学版)》
CSSCI
北大核心
2018年第2期143-149,共7页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
基金
安徽省人文社科重点基地项目(SK2015A047)
安徽省省级质量工程项目(2014jyxm077)
关键词
筇竹寺
五百罗汉造像
动漫角色
继承
发展
Qiongzhu temple
five hundred arhat statues
cartoon character
inheritance
development