摘要
从认知语言学角度以文学小说语言中隐喻为分析对象的研究甚少。刘震云小说中的反讽风格已受到较多关注,但隐喻研究仍处于空白状态。本文根据源域和目标域的生命体征和抽象性,将刘震云小说中的隐喻模式分为抽象概念隐喻为具体无生命物体、有生命物体隐喻为有生命物体、有生命物体隐喻为无生命物体和具体无生命物体隐喻为具体无生命物体四大类,隐喻模式的形成来源于刘震云丰富的农村生活经历和对生活的细致观察。卡方检验结果显示,不同创作时期隐喻模式的使用频次具有显著差异,其中新历史主义和影像叙事时期隐喻模式的差异具有统计学意义。
There are few studies on metaphor in novels from the perspective of cognitive linguistics.The irony style of Liu zhenyun's novels has been more attention,but the research of metaphor is still blank.According to the vital signs and abstractness of the source domain and target domain,metaphor mode of the Liu zhenyun's novels can be divided into four types,namely the abstract concepts as the concrete inanimate object,the living object as the living object,the living object as the inanimate objects and the concrete inanimate object as the concrete inanimate object.The metaphorical model is derived from Liu zhenyun's rich rural life experience and a meticulous observation of life.The results of Chi-square test show that there are significant differences in the frequency of metaphor modes in different periods,and the difference of the metaphorical pattern in new historicism and image narration is of statistical significance.
出处
《商丘职业技术学院学报》
2018年第1期21-24,共4页
JOURNAL OF SHANGQIU POLYTECHNIC
关键词
刘震云
小说
隐喻
统计
差异性
Liu zhenyun
novels
metaphor
statistics
the differences