摘要
先秦两汉之际,诗歌中的情景表现已经十分明显,但是明显直接的情景讨论却几乎没有。这是否意味着情景论在当时并未出现呢?本文指出由于"景"这一概念在秦汉直至魏晋,与后来的"景"之概念并不相同,而古文论中言及的"物"、"象"等概念恰恰便指"景",因此情景论基本内涵于诸如"感物"论、"物象"论之中,细加辨析,可知秦汉之际情景研讨已经初布规模,泽披后世。
In the pre - Qin and H a n dynasties,Scene and Feelings in poetry has been obviously, but there arefew theory directly about it . Is it means that the theory about Scene and Feelings did not appear at that time?This paperar guesthat the concept of “ scene” from the Qin and Han until the Wei and Jin dynasties,is not same to the later times,and the concept of “ object” and “ Xiang” is refers to the “ scene”,so the theory such as ^sense'' and object^ is basically cover the theory about Scene and Feelings. So we can come to the conclu-sion that creative practice and research about Scene and Feelings in the Qin and H a n dynastieshave not only been the beginning of cloth scale,but also have an impaction on future generations.
出处
《哈尔滨师范大学社会科学学报》
2017年第6期97-99,共3页
Journal of Social Science of Harbin Normal University
关键词
“景”
物象
情景
^scene^word
wuxinag
scene and feelings