摘要
文章分析了伊恩·麦克尤恩作品中的"边缘人"形象,探讨"边缘人"形象塑造与作家个人生活经历及社会文化背景之间的深刻隐喻。麦氏笔下的"边缘人"既有欲望横流下迷失人性的边缘人,又有亲情疏离下伦理错位的边缘人,亦有遭遇身份认同危机的边缘人,分别代表人性畸变、亲情缺失、身份迷失这三种特征。"边缘人"形象塑造特征亦关联着作家的社会文化背景与个人生活经历。
This paper intends to analyze the images of ＂Marginal Person＂ in Ian McEwan＇s works andexplores how these images reveal the profound implications of the writer＇s personal life experience and socialand cultural background. The images of ＂Marginal Person＂ consist of those who get lost in human nature inthe world of desire, those who suffer affection alienation and ethical dislocation in the desert island, and thosewho have identity recognition crisis, respectively standing for the three features of human distortion, lack offamily affection and identity loss. The images of ＂Marginal Person＂ are also associated with the writer＇s socialand cultural background and his personal life experience.
出处
《绥化学院学报》
2018年第2期65-69,共5页
Journal of Suihua University
基金
2017年四川省教育厅一般项目资助(17SB0218)
关键词
麦克尤恩
“边缘人”
人性畸变
亲情缺失
身份迷失
Ian McEwan
＂Marginal Person＂
human distortion
lack of family affection
identity loss
